Bonus Episode: Mafia Murders and the Music Behind Them

Hey, discos, need a little more Disgraceland in your life, just to touch to get you through. Yeah, me too. This is the podcast that comes after the podcast. Welcome to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, a little thing we like to call the after party. This is the show after the show, the party after the party. The bridge to get you from one full episode of Disgraceland to the other. The backyard, to dig into the dirt. Our mission, as always, guys, to uncover the truth, to confront the myth, to reclaim the story.

On this bonus episode, the music from the Mob movies with the real life hits okay, as inspired by this week's full episode on Adele in her love of al Pacino, plus your voicemails, texts, emails, comments, dms, and as always, a whole lot of Rosie. This is the podcast with the musically obsessed, the outsiders, the independent thinkers who know that the best history is the history that gets buried.

Disgraceland is where I tell the stories they didn't want told, the kind that you'll end up telling someone else. All right, this goes, let's get into it, okay. So in this week's episode of Disgraceland, as I just alluded to. As I just mentioned, we talk about Adele, and part of her story revolves around her love of al Pacino movies gangster movies, to be precise. I share this trait with Adele, as I'm sure many of you do as well, but specific to Italian movies. Italian gangster movies. For some reason, at the end of the day, after my wife and kids have fallen asleep, watching violent sociopaths navigate their way through a secret society to deal with their problems, it relaxes me. I don't know why. I do not know why.

I I've always been into gangster movies, specifically Italian mafia movies. Lately, though, it's it's become I don't I don't know it's it's it's I've gone deeper and deeper and deeper, and I'm even watching straight up garbage, just looking for historical nuggets that I can mine and that I can connect in my brain, like, oh, that's based on this thing that was based on this other thing that I learned from this thing. And I've watched all the good stuff, I think, and now I'm watching the trash Uh, I don't want to.

I don't want to call this show trash because that's unfair, it's unfair to the filmmaker or the showrunner. But have you watched Gravesend on Amazon? I have? I have. I've watched both seasons. Season three is about to drop. I'm gonna watch that too. This is not a good show. It's it's bordering. It's right on the line of so bad.

It's good, but it's it's doesn't go that far, so you can't even really use irony to appreciate it. But still, man, it's got all the actors from every great Mob movie in every Sopranos episode that you've ever seen. Okay, so it should be great. The acting should be great. It's a testament to I think bad directing and bad writing because it's so bad the acting can't save it. I say all that, and I'm laughing, and I'm kind of ashamed of myself for saying this, because part of me really loves what this filmmaker is doing. He's completely This guy grew up in Gravesend, Brooklyn. He's completely I forget his first name is his last name is DeMeo. I think it's William DeMeo. He's completely following his passion and

what he knows and who he is, and he's making something that people clearly love. So who am I to shit on it? Right? And I but I do like it. I watch it, but I can't. I can't tell you it's a good show. It's not. You should check it out. Let me know what you think. Graves End. It's on Amazon again. I watch it all, Okay, But the mob movies that I love the most are the ones that incorporate rock and roll. So I thought there's no rock and roll in Gravesend. By the way, I thought that it would be cool to look at mob hits like actual killings, murders from mob films, and the music the actual hits that accompany those murders. Okay, but the caveat is the murders have to be based on real life mafia murders. Okay. This will keep us in the realm

of music and true crime. Okay, So I should tell you spoiler alerts all right all over the place here. If you haven't seen these movies and you hear me mention them, just stop stop what you hear Okay, just wait thirty seconds now, First, up the infamous head in the vice scene from Martin Scorsese's Casino. This murder executed by Opeshi's character, Nikki Santorro, who is playing a version of a real gangster named Anthony Spilatro. This murder the real murder. It didn't happen in Las Vegas. It's based on the torture of a mobster named William McCarthy. McCarthy was part of the Chicago Outfit and was tortured and killed in nineteen sixty two. And yes, just like in Casino, his eye popped out from the pressure of the vice

around his head. The song that's playing in the scene is Cream's instrumental Toad from their debut album Fresh Cream, released in nineteen sixty six. This murder, I believe, is also connected to the real life murder is also connected to the kidnapping of Frank Sinatra Junior, so there's another music connection here. I believe of the four connected guys who were killed in relation to that crime, one of them was killed or at least reportedly killed in the same way with the vice around the head, and William McCarthy, I don't think. I don't think I could have it wrong.

All right. Next, we're gonna travel back to the great Year of nineteen ninety six and the HBO film Gotti, starring armand Assante in the title role. First of all, this movie is incredible, It's great. I love it. I love it. And if you watch as I do interviews with real life Mafia members on YouTube, they will tell you that this is one of the most accurate portrayals of Mafia activity that's ever happened on film. Do I believe that. I don't know how accurate it is, but it is dramatic as hell, and it is really interesting.

And Armana Sante is just he's so cool. He's such a great John Gotti. He's so awesome. But early in this film, very early on, Armana Sante as John Gotti enters a bar and he kills an enemy of mob boss Carlo Gambino. It's a real life hit. It happened in retaliation for the kidnapping and murder of Gambino's nephew.

That actually happened. Somebody fucking kidnapped and murdered Carlo Gambino, the boss of all bosses, I believe at the time, and kidnapper murdered his nephew. Anyways, this hit John Gotti does in retaliation for Carlo Gambino. It puts him on the fast track to becoming a leader in the Gambino family.

But more important, it made me love Three Dog Knight because when Gotti kills this dude in the movie Gotti, the dude's name is James McBratney. That was his real name. When this happens, Three Dog Knights. Excellent tune Shambala Shamba La. That song is so good it's playing in the background now. Shambala was released on May eleventh, nineteen seventy three, and the murder of James Jimmy McBratney took place on May twenty second, nineteen seventy three, so kudos to the filmmakers for the history accuracy here. Side note, Jimmy McBratney didn't actually kidnap and kill Gambino's nephew. It was a case of mistaken identity. Was a bad hit, but still it worked for Gotti again, put him on the fast track

in the Gambino family. All right, number three on my list, but probably should be number one. We're going back to Joe Pesci here, but it's Joe Peschi's character, not from Casino, his character from Goodfellas, Tommy Devido, based on real life gangster Thomas d Simone, Tommy d Simone. And it's the scene where Tommy kills the Billy Batts character for the first time, played by Frank Vincent. All Right, they think that he kills him. And when this happens in Henry Hill's bar, we hear Donovan's excellent Atlantis playing in the scene. Okay, now, this scene is a fairly accurate portrayal of what went down in real life. D Simone, Tommy de Simone murdered a guy named William bent Vena. I think that's how

you say that, who was a made member of the Gambino family. The hit happened in nineteen seventy. Donovan's Atlantis was released in nineteen sixty eight. I don't know what that had been playing in Henry Hills Bar. Maybe maybe The interesting thing about this in the movie, they attack Billy Batts after Billy bats insults Tommy or later on in the night. It's not immediate. You know, Billy Batts tells him to go get a shinebox, and you know, a couple hours go by, they wait for the girls to leave, they let Billy Batts relax, and then and then once everyone's gone, Tommy goes to work on Billy Bats and they think they kill him. Of course they don't.

They kill him later in the trunk of the car. He survives for a couple more hours. However, in real life, what happened was the insult happens in a couple weeks go by before Tommy de Savone kills William How do you say his last name? Ben Venna? Who is the Billy Bats character? So there you go, all right. Next, I want to take you to a rooftop in Boston, Massachusetts.

Here in the early odds, Billy costagain played by Leonardo DiCaprio. He gets a bullet in the head, okay, in the elevator in The Departed, And just before that happens, there's a bit of the live version of Comfortably Numb by Pink Floyd. But it's the Roger Waters live version. Okay. It's when he's up on the roof with Matt Damon.

It's also earlier in the movie. It also happens earlier in the movie when Matt Damon is in the middle of a sex scene. But anyways, it happens on the roof there, just a bit of It's like some guitar playing. Now. The reason I mentioned this is because it again spoiler alert for the Sopranos. Here, it's the same version of comfortably numb that is playing in Christopher Maltasante's truck before Kennedy and Heidi run him off of the road and Tony as well, and then you know what happens there.

Christopher Moltisante, that character in the Sopranos is based loosely on mobster Anthony Bruno in Delicato. Anthony Bruno in Delicanto from the Bonano family, a gangster with a severe drug addiction. That's who they based the Christopher Maltasante character on in Sopranos. Now, Bruno in Delicato is also the inspiration behind the Bruno character from Donnie Brosco, the son of Sonny Red. The actor who plays Bruno and Donnie Brosco is Brian Tarantina.

Brian Tarantina plays Salvatore, Mustang, Sally and Tilea in the Sopranos. Mustang Sally is eventually murdered. There is no music accompanying the hit and the death is not inspired by true events, at least that I know of. But Mustang Sally is a song by Wilson Pickett that I never need to hear again, and neither to you. They can take that one in Brown Eyed Girl and they can send him straight to the moon. Now listen, Bruno in Delicado is still alive. Okay. I wonder what he thinks of being portrayed in Two Mafia. I was about to say films, but the Sopranos and in Donnie Brosco. Now, let's talk about Tony Soprano killed a bunch of people, obviously, but let's talk about his musical taste. I loved it. Struck

me as totally accurate. Basically, he's got, like, you know, middle aged classic rock radio tastes. I love it. It's perfect. Pink Floyd makes all the sense in the world when they're driving in that car and they're listed and Christopher is excited to play Tony that Roger Waters Pink Floyd CD. When I heard that Roger Waters version of Comfortably Now in The Departed, however, it struck me as weird because it wasn't the studio version. Of the song, and I immediately thought, oh, well, you know, Scorsese just couldn't get Pink floyd to license him the studio version. Maybe they wanted too much money, or they just didn't want to use or whatever, and he ended up going with the live version. Turns out that's exactly what happened. I was

right about that. I'm not sure, however, why it's used in the Sopranos, because they use one of these days they get to license Pink Floyds one of these days. In a two thousand and six episode called The Fleshy Part of the Thigh, it's used in the credit sequence. This episode is the one where Bobby Bacalau gets paid by the aspiring hip hop artist Marvin MVP Bellfield to shoot him on purpose so that Marvin can gain some much needed street credibility, and that storyline is reportedly a parody of the real life fifty cent shooting and Marvin to further connect to music history into real life music Marvin is played. The character is played by Naughty by Nature's Tretch and Tretch's manager excuse me. Marvin's manager in

this episode is played by Lord Jamar from Brand Nubian There's even a brand Nubian reference in the dialogue. Now, the depiction of hip hop artists like MVP being so dead for street credibility was so accurate that Nas references this episode on his two thousand and six album hip Hop Is Dead. Incredible love these connections. All Right, I'm going too deep down the rabbit hole, but we will go deeper. We're going to do that in the exclusive section of this after party, Zeth and I, we're going to talk about real life rock stars, real life musicians caught up with real life gangsters. Madonna, Marilyn Monroe. You're waiting, You're like Merily Monroe. She's an actress, not she's also a pretty damn good singer. Okay, put out records the

whole bit. Okay. Anyways, some surprising connections between real life musicians and the mafia that we're going to discuss in the exclusive section of this after party. Go to www dot disgrace lampod dot com to sign up become an all access member to unlock exclusive content like this plus ad free listening. Now, this is the stuff that I am obsessed with. I probably need a hobby. Maybe Adele needs a hobby, as Well, like I said, our new story on Adallas available for you to listen to right now.

Coming up in the rewind slot this Sunday, We've got our episodes on Paul McCartney and John Lennon, both of their early seventies solo career stuff. That's what's going to be detailed in these episodes. Paul McCartney's stint in jail, John lennon stint under FBI surveillance. These are great episodes.

You're gonna dig them, I promise. If you haven't heard them before, get in there and listen. And then on Tuesday, we've got our episode on the Hillsborough disaster. This is a special episode of Disgraceland. We are releasing it because the World Cup is about to get underway, and we originally wrote this episode for a different series other than Disgraceland.

But make no mistake, this is a Disgraceland episode and it depicts the horrible tragedy we're ninety seven ninety seven Liverpool football fans died in a fatal crowd crush during a nineteen eighty nine soccer match at Hillsborough Stadium. Is one of the episodes that we've produced here double Elis and I am most proud of It's an incredible story.

We are releasing it once again, timed with the World Cup that's about to start happening this weekend. Now, whether or not you're a soccer fan, you're going to dig this, so I hope you check it out. And when you're listening to that episode, be thinking about tragedies. Be thinking about music tragedies, sports tragedies, and what's the most tragic event from music history, sports history, just culture in general.

Six p One seven nine oh sixty six six three eight. Leave me a voicemail, send me a text, and let me know at Disgrace Lampod on the Socials you want to get at me there, Disgrace Lampod at gmail dot com if you want to email me your answers. I'll be back right after this quick message with your answers to last week's question, the week your voicemails, texts, emails and more coming up. We got a lot of different conversations going on with you, guys. Let's check in with Rob from the three oh three.

Hey, Jake, this is Rob from the three oh three. It's the first time I've ever had to stop a podcast and doll your number. Man, you asked for unlikely covers and I worked for a radio station in Denver and I did not know it's a classic rock station that pm DON covered Beatles Norwegian would really good song, both versions. That's all I got, man, Thanks.

Rob, thanks for the call. I love the pm DON vibes. I love the nineties vibes. I had no idea they covered Norwegian? Would they? Did they cover it or just sample it? I'm gonna check it out. Very interested in this, Rob, thanks so much. Russell from the seven oh four.

Hey there from the seven oh four, I do finish listening to the nineteen ninety.

Four after Party.

I graduated high school in nineteen ninety four, so a lot of what you talked about really get home for me. I listened to it because I wanted to find out about these punk albums not by punk artists.

See who mentioned was And there's one that came to.

Mind that I'm surprised it wasn't mentioned, and that is Break against the Machines album.

Battle of Los Angeles.

You know that a punk album is relevant when you have someone like Weird Al covering, not parodying, but covering greats against the Machine in one.

Of their concerts. All I'd say about that is fuck.

You, I will do what you tell me.

Love the show, Love Hollywood Land, looking forward to hearing more of it, Have a great day.

Love the Passion Russell. Is that true weird al covered Ridge against the Machine and didn't parody it? That's that's uh, that's pretty interesting. What's more punk than fuck you? I won't do what you tell me? That's what I want to know. Chad from the six oh four, Hey.

Jacob, Chad can come up and here British Columbia, Canada. More nothing disgraceful, just like you feel good you know music, which for me, it's the number one super group, the only fucking supergroups that exists on the planet ever, of all time in my opinion, Traveling Wilburries.

Chad, thank you. I appreciate the call in Traveling Wilburries might be the greatest supergroup of all time? But are they the only one? The only one? I don't know, man, what about the Firm? Come on, dude, I'm kidding the firm. We're a B B team supergroup at best. There's gonna be other examples of great supergroup. So someone was just talking about rage against Mashine audio slave. There you go.

There's one. But there's a mythology to the Traveling Wilberries that some of these other supergroups just don't have appreciate the call Chad get back at us anytime. Amber from the six to two Ozero rights and Hey, Jake, Amber from the seven A five. But Amber, I'm looking at your area code. It's six too well. Amber says, Hey, I would also love a Tory Amos episode for a crime perspective. Tory was raped at Oh my God, at knife point by a fan. I did not know this.

My goodness. Her song that's my I just said that, not Amber.

Here.

Amber goes on to say her song Me and a Gun on the Little Earthquakes album is about that experience. It's also one of the main reasons she's a spokesperson co founder for RAIN. I hope this helps keep up the great work Rock a rolla Amber, It absolutely helps. Thank you so much. Wow, that's heavy. That is heavy. Yeah, we'll definitely get into a torri Emos episode at some point.

Two US six writes in the question of outlier albums, this spawning from our Weezer conversation last week relatives to Pinkerton and our Weezer episode to a six text in Hey I'm behind on the podcast, I agree with Pinkerton. For Weezer, I would say Paul's Boutique is the Beastie Boys' best album, best Beastie Boys album, and an outlier. I never thought of Paul's Boutique as an outlier because but it is. I see your point. But at the time, they were still defining who they were going to be.

And I look at Licensed to Ill, Paul's Boutique Check your Head chronologically their first three albums as a progression. You can hear them creatively going from one to the other versus Weezer, which is the blue album Pinkerton, and then what the Green album after that, and the Green album kind of reverts back to what they were. It'd be like if Check your Head reverted back to License to Ill. But to your point, however, two six the Beastie Boys, they once they land on Check your Head, they kind of stick the landing for a while. Ill communication is still in that vein. They've kind of found what they're doing, they've identified themselves. But uh, pretty interesting to think of Paul's Boutigue as an outlier. It certainly

sounds like one now. Nine to one seven writes in Hey, Adele, where's the Fiona Apple? Episode? Nine one seven? How do you know we're going to do a Fiona Apple episode? Nine one seven. Also writes in Pavement, he just wants to keep your hard core noice in check and sounds extremely insecure. Nothing about Swans, no deaf Heaven week. I don't know what the hell you're talking about. Nine one seven.

I did find out an interesting thing about the Swans recently, though. Michael Girauh dated Madonna for a while back in the day nine one seven. A lot of texts here, also writes in look Up Kanye's obsession with Adele before his first album came out. Okay, I will keep texting me nine one seven. Appreciate it six one seven, nine oh six six six three eight. You guys want to get at me about anything here, Jeff mcdermoan writes in hey episode, request Jeff here from the eight one to five and just finished the re release the rewind of the Aliyah episode, and it got me thinking of a hip hop artist.

It started to blow up around the same time that she did DMX, please make a DMX episode four exclamation points. There is enough crime in drama to make a very interesting story. And believe it or not, he did make some pretty great music. Keep on keeping on, Jeff from the eight one to five. Jeff, we got DMX on the list this year. I believe it's in the works, so to speak. We're planning for it to be in the works. I should say, Oh, you guys want to hit me up with requests for subjects to cover in Disgraceland, you can do so. Disgrace lamdpod at gmail dot com.

In the exclusive section of last week's after Party, we were talking about pulp fiction. Casey writes in Casey Juvenile Rights and Hey, I heard in the after Party exclusive section on pulp fiction this week, and I wanted to bring to your attention something that I recently noticed about the movie. It is my all time favorite and I watched it about two times a year and always find something new. You guys mentioned Steve Buscemi playing Buddy Holly. Well, I'm not sure if you're aware of this, but there is a theory that Buddy Hawley is actually mister Pink from Reservoir Dogs and I'm sure you remember his classic dialogue and which he talks about how he doesn't tip waiters and waitresses. So the theory is that mister Pink

went underground after the robbery and is hiding out as a waiter because no one would expect it anyway. It's just something to think about. Love your work, keep up the good work. That's from CJ, CJ. This theory is awesome. I love it. Would mister Pink though, would he recognize Vincent Vega as vic Vega's brother, you know what I mean?

Because he's waiting on him, you know he might? Is there anything? Is there anything in that scene where Buddy's kind of like where mister Pink is kind of like, wait, who the fuck is this? This guy looks like someone I know, you know what I mean? Maybe a look, a glance, a raised eyebrow, even last one here Relative to Weezer, Good Day Jake Rob originally from Auckland, now living in Queensland, Australia. Love your podcast. I'm so glad someone else thinks Pinkerton is a great album. Weezer played Auckland in nineteen ninety six, right in that strange window where Pinkerton was still new and uncomfortable, and I really liked it, but none of my mates did. It was no Doddy Holly, slightly unhinged in a way that didn't

quite fit Weezer's Blue album, and Weezer played Auckland just after we finished high school end of Exam's blowout. That weird feeling where your life is suddenly open, but no one has told you what it's supposed to look like yet Damn Rob Well put Rob We hope to capture that sentiment in the sentence you just wrote, or that I just read that you wrote in our latest episode of this film should be Played Loud, which is on Dazed and Confused. We're releasing it this month. We recorded it last night. We're releasing it this month because it is the end of the school year, and it is probably the greatest graduation movie that I've ever seen, even even more than The Graduate. How about that? How about that?

Is dazzing Confused better than The Graduate? I watch it more, I appreciate it more. I don't know. I don't know if I'm actually saying that I should probably watch The Graduate again. But you know, I don't love The Graduate. I never have What's wrong with me. I don't know, Rob, You're a good writer. Right back anytime. All right, you guys want to email me Disgrace Sampod at gmail dot com.

Now listen, May Madness. May Madness has been consuming all of us here at Double Elvis and everybody over in the Patreon feed for the last thirty plus days. Okay, we have arrived at the end of the line. We have a winner, and that winner will be announced to you coming up right after this. So we are back here in the after party and over on Patreon. You may or may not be aware. For the month of May, which has now ended, we were covering May Madness. Now May Madness. You might be like, what are you talking about?

I know about March Madness. Is May Madness the NCAAA baseball tournament. No it's not, but I am deeply invested in that as well. May Madness is our sitcom theme tournament. Okay, And we have a winner, the sickcomal Tron two thousand. It finally tabulated all the votes and you know, it started spewing out some white smoke just like the Vatican, and we got news. Okay, So I'm not gonna blow it here I'm going to go to our special May Madness correspondent, Matt Boden check in with Matt. Here, Matt can give us a recap of what exactly went down with May Madness and how we arrived with our winner and who that winner is, Matt, give it to him.

Well, we had a lot of, you know, great deserving theme songs in this contest, but ultimately we wound up with an all New York final with mister Cotter and the sweat Hogs from Brooklyn going up against George and Weezy on the East Side of Manhattan formerly of Queens and ultimately our winner was the Jeffersons, who defeated Welcome Back Cotter fifty four to twenty five. I don't think anybody was surprised to see the Jeffersons in the final.

Uh.

It's an incredible theme, with the indelible images of Wheezy wiping her eyes and George with that hilarious yet confidence strut as they head into the uh, the apartment building. So there you have it, The Jeffersons the greatest sitcom theme of all time according to our listeners.

All right, Matt, thank you for that. We appreciate the recap, appreciate all the work you put into this, and appreciate everybody over on Patreon who voted and took part in made Madness this year. This was a lot of fun. I think the thing we learned is that we like doing we like doing tournaments. We want to do another one.

We want we want to finally figure out these these long, these long mused about cultural questions, you know, like what the greatest sitcom theme of all time is? Obviously The Jeffersons. I kind of feel like that's on my answer. My answer is taxi maybe cheers, But you know, I can understand and the actually the story behind the creed of the song that is the theme song for the Jeffersons is really fascinating and also speaks to that tunes greatness.

But there are other great cultural questions that we want to answer here in double Evis. So I think we're going to do some more tournaments over in Patreon. You guys, want to become an all access member, you want to take part in these conversations, You can do so for as little as a buck. Go to Disgrace slamdpod dot com to sign up. You're also going to get access to our new video podcast, This Film Should be Played Loud, which explores our favorite movies and the soundtracks behind them.

We've got episodes on Goodfellows, Royal, Tenenbaums, Boogie Nights. Got a new episode on Days and Confused that's coming up this month. You're not gonna want to miss that. Go to Disgrace sampod dot com to sign up and become a member today. So, all of a sudden, in Hollywood we have young people making great movies that are also wildly successful. This is kind of happening out of the blue.

Zeth gets into all of this in the Hollywoodland Fee this week relative to our Lucille Ball re release episode that's over there. But in the Rap Party, we're giving music recommendations based on music recommendations and film recommendations. But my rex are music based from artists who were very young, under twenty years old in most cases, making great music that we're still listening to you today. All my recommendations are happening exclusively in the Hollywood Land Feed during the Rap Party episodes, which are released on Wednesdays. If you're not Hollywood Land listener, make sure you become one today.

Go to the Hollywood Land feed and subscribe on Apple Podcasts or the iHeartRadio app or wherever you get your podcasts. All right, as promised, Zeth and I are going to dig into some pretty pretty revealing music connections, rock and roll connections, music history connections to the Mafia, ones you likely haven't heard about here in the exclusive section of the after party coming up right now. Go to Disgrace ndpod dot to sign up if you're not already a member. Right, we'll be back right after this. All right, guys, welcome back. Listen.

We talked about which artists do we discuss. Going back to my memory here, we talked about Cream, So we've got an Eric Clapton episode in our archive. You can check that out. We've got a Pink Floyd episode. We talked about Pink Floyd. We talked about nas Brand, Nubian, Naughty by Nature. We don't have episodes on any of those artists. We do have a full season on the Wu Tang clan that's in the archive. If you really want to go deep on the Wu, we got you covered.

Matt will provide information on these episodes in the show notes section of this here after party to help you easily navigate our archive. All right, let's recap, shall we. This week? Our new episode on Adele in the rewind slot coming up on Sunday. This is number two. We've got Paul McCartney and John lennon the solo episodes. You're not gonna want to miss those. Next week our episode on the Hillsborough disaster, timed with the World Cup event, which will be happening. Number four ZEV gives you those Hollywood and crime vibes in the Hollywood Land podcast, so make sure you're subscribed. That way you can get my music res that's over in the wrap party. Number five.

This film should be played loud. Our new episode on the Royal Tenebombs is available for you right now. We just recorded our latest episode on Dazed and Confused. Go to Disgrace sampod dot com to sign up, become an all access member. Get into the Patreon chat. Let us know what other types of tournaments should we be doing Cultural tournaments Number six six one seven nine h six six six three eight. Your voice keeps us sticking into the dark corners of music history, so keep calling, keep texting your answers to this week's question of the week or whatever else you want to talk about. Number seven.

Don't forget discos. This isn't just content. It's a community, a community of the obsessed. No one cares about music, books, records, and the crime and grime that ties them all together. Like you do. Well, that's a disgrace, all right. Adele's mega smash album twenty one was released on January eighth, two thousand and eight, and hues what America was listening to on that day. According to the Billboard Charts, Number one Low Flow Rider featuring T Pain last week one peak physition one weeks on Chart twelve. Number two No One Alicia Keys last week two peak Physician one week's on chart. We see number three Apologize Timberland number featuring one Republic last week peak position. Week's on chart twenty

four is number four We Kiss Kiss Chris Brown featuring T Pain last week four peak position one weeks on charts. Ages number five Clumsy First last week Peace five. Quit talking and start mixing.

Bonus Episode: Mafia Murders and the Music Behind Them

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