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280 - Cinematography of Train Dreams, with Adolpho Veloso
Join us for our conversation with Academy Award®-nominated cinematographer Adolpho Veloso, here to discuss his stunning work on “Train Dreams.” In this episode, Veloso breaks down his natural-light approach to capturing the film’s poetic po
279 -The Sound of Guillermo del Toro's Frankenstein
This week we sit down with the Oscar-nominated sound team behind Guillermo del Toro’s “Frankenstein,” to explore the film’s epic and deeply expressive soundtrack. Sound designer and supervising sound editor Nathan Robitaille, supervising so
278 - The Sound of Sinners
The sound of “Sinners” is bold, immersive, and essential to the film’s emotional power — a standout achievement that has earned the film a spot on the shortlist for Best Sound at this year’s upcoming Academy Awards®. We’re joined by re-reco
277 - The Sound of Sirât, with Director Óliver Laxe
After winning the Cannes Jury Prize in 2025, “Sirât” has been added to the shortlist of potential nominees for Best Sound at this year’s upcoming Academy Awards®, a rare achievement for an international feature film. We are delighted to wel
276 - Oasis in Dolby Atmos, featuring Mix Engineer Ryan Hewitt
GRAMMY Award®-winning producer, mixer, and engineer Ryan Hewitt joins us from his Nashville studio to discuss re-mixing the entire Oasis catalog in Dolby Atmos®. We dive into his journey from learning the craft from his father, to engineeri
275 - Bradley Cooper and the Sound of Is This Thing On?
Writer, director, and producer Bradley Cooper joins us to discuss the sound of his latest film, “Is This Thing On?” Audio became a primary storytelling tool in shaping the film’s deeply subjective point of view. In conversation with the fil
274 - The Immersive Sound of South of Midnight
Audio Director Chris Fox and Composer Olivier Derivière sit down with guest host Alistair Hirst to explore the immersive sound of “South of Midnight,” the groundbreaking action-adventure game from Compulsion Games. Set in the American Deep
273 - Art During War
What does it mean to create art during times of global conflict? Guest moderator Abiram “Abi” Brizuela leads a thoughtful and timely conversation on how filmmakers respond to war, displacement, and uncertainty through their work. Spanning b
272 - Darren Aronofsky and D.P. Matthew Libatique on the Cinematography of Caught Stealing
Legendary filmmaker Darren Aronofsky and cinematographer Matthew Libatique, ASC, LPS, join us to reflect on their three decades of creative partnership: from “Pi,” “Requiem for a Dream,” “Black Swan,” and “The Whale,” to their newest collab
271 - The Music of A House of Dynamite, with Composer Volker Bertelmann
Academy Award®-winning composer Volker Bertelmann joins guest host Jon Burlingame to explore his gripping and sonically inventive score for “A House of Dynamite.” Their conversation delves into his use of unconventional textures, low-freque
270 - Guillermo del Toro and D.P. Dan Laustsen on the Cinematography of Frankenstein
Legendary filmmaker Guillermo del Toro and cinematographer Dan Laustsen, ASC, DFF, join us to break down the striking visual language of “Frankenstein,” their latest feature collaboration after decades of working together. In this conversat
269 - The Music of Hamnet, with Composer Max Richter
Composer Max Richter joins guest host Jon Burlingame to discuss his luminous, emotionally rich score for “Hamnet,” the new film from director Chloé Zhao. In their conversation, Richter shares how early musical sketches shaped the production
268 - The Sound of Wicked: For Good
The all-star sound team behind “Wicked: For Good” returns to the show to discuss the bold sonic world of the film, and how it compared to the first. In this conversation, they break down everything from capturing on-set vocals to crafting t
267 - The Cinematography of Wicked: For Good, with Alice Brooks and Jon M. Chu
Director Jon M. Chu and Director of Photography Alice Brooks join us to discuss the dazzling cinematography of “Wicked” and its newly released sequel, “Wicked: For Good.” Though the two films together tell a single story — adapted from the
266 - The Music of Sinners, with Ludwig and Serena Göransson
Two-time Academy Award®-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson join us to discuss the powerful use of music in Ryan Coogler’s “Sinners,” recently nominated for six 2026 GRAMMY® Awards. In this conver
265 - The Music of Frankenstein with Composer Alexandre Desplat
Two-time Academy Award®-winning composer Alexandre Desplat joins guest host Jon Burlingame to discuss his latest score for “Frankenstein,” directed by Guillermo del Toro. This long-awaited project — their third collaboration — had been a to
264 - Redefining the Romantic Comedy, with Materialists Director Celine Song
Should “Materialists” be considered a rom-com? What even counts as a rom-com these days? Academy Award®-nominated writer, director, and producer Celine Song joins us to discuss the state of the modern romantic comedy, as part of Dolby Creat
263 - The Music of Bugonia with Composer Jerskin Fendrix
Academy Award®-nominated composer Jerskin Fendrix joins guest host Jon Burlingame to discuss his latest score for “Bugonia,” directed by Yorgos Lanthimos. Fendrix shares how he developed the film’s striking — and at times paranoid — musical
262 - Director Yorgos Lanthimos and Sound Designer Johnnie Burn on the Sound of Bugonia
Five-time Academy Award®-nominated filmmaker Yorgos Lanthimos joins us to discuss his latest surreal adventure, “Bugonia.” The film is a darkly-comic paranoid thriller about a high-profile CEO who is kidnapped by conspiracy theorists, who a
261 - Director Kathryn Bigelow and the Creative Team behind A House of Dynamite
We are thrilled to welcome two-time Academy Award®-winning filmmaker Kathryn Bigelow and her creative team to discuss her newest political thriller, “A House of Dynamite,” brought to us by Netflix. This conversation was recorded as a live p
260 - If I Had Legs I’d Kick You, with Director Mary Bronstein
Writer/Director Mary Bronstein and Supervising Sound Editor, Sound Designer, and Re-recording Mixer Filipe Messeder join us to discuss “If I Had Legs I’d Kick You” — the searing and darkly funny new indie film from A24 about the dark side o
259 - Creative Sound Design for Short Films, from Aspen Shortsfest 2025
How do you make a short film sound big on a small budget? Recorded live at Aspen Shortsfest 2025, Glenn sits down with filmmakers Lindon Feng & Hannah Palumbo (“A Bear Remembers”), Louis Bhose (“The Cost of Hugging”), and Elham Ehsas (“Ther
258 - The Sound and Cinematography of Adolescence
Emmy Award®-nominated Director Philip Barantini and fellow nominees — including cinematographer Matthew Lewis and the sound team of James Drake, Jules Woods, Rob Entwistle, and Kiff McManus — join us this week to discuss the making of “Adol
257 - The Music of The Fantastic Four: First Steps
Academy Award®-winning composer Michael Giacchino returns to Dolby Creator Talks to discuss his bold and emotional score for “The Fantastic Four: First Steps.” In this in-depth conversation with guest host Jon Burlingame, Giacchino shares h
256 - The Music of Superman
Composers John Murphy and David Fleming join guest host Jon Burlingame to discuss their original score for “Superman,” directed by James Gunn. In this two-part conversation, Murphy and Fleming share their personal connections to the charact
255 - Gareth Edwards and the Sound of Jurassic World: Rebirth
Director Gareth Edwards returns to Dolby Creator Talks to discuss “Jurassic World: Rebirth,” the latest installment in the iconic dinosaur franchise. He and his sound team share how they crafted the film’s breathtaking sonic landscape — alo
254 - The Sound of F1: The Movie
When director Joe Kosinski and producer Jerry Bruckheimer set out to make “F1,” their goal was to create the most authentic Formula One film ever made. Recorded in person at Skywalker Sound, this episode features the sound team behind the f
253 - The Music of Elio with Composer Rob Simonsen
Composer Rob Simonsen joins guest host Jon Burlingame to discuss his sweeping and emotionally rich score for Pixar’s “Elio.” The composer shares how he approached scoring the story of a young boy making first contact with aliens, weaving to
252 - FKA twigs - Eusexua in Dolby Atmos, featuring Mix Engineer Alex Gamble
Mix engineer Alex Gamble joins guest host Ben Givarz to discuss the creative and technical process behind mixing FKA twigs' new album Eusexua in Dolby Atmos®. He shares how his immersive mixes in Dolby Atmos enhance the record’s intimacy, r
251 - Making Black Mirror: “USS Callister: Into Infinity”
NOTE: This interview contains spoilers from both Black Mirror: “USS Callister” episodes. Join us as we boldly go behind the scenes of Black Mirror: “USS Callister: Into Infinity,” with the creative team behind the episode. In this panel, th
