- wöchentlichErscheinungsrhythmus
- 26 mintypische Länge
- 30. Okt.letzte Folge
Folgenzu den neuesten
Episode 181 - A critical difference between scene and summary.
Why should almost all of our story be scenes rather than summaries? Here's how we can avoid summaries and instead write moment-by-moment real-time scenes in our fiction. Also: here are perhaps the most beautiful sentences ever written in fi
Episode 180 - The critical distance between the reader and the action.
The reader is like a camera as the scene unfolds. Where should that camera be? How far away from the characters and the action? Here are thoughts on authorial distance, about the benefits of placing the camera--the reader--near or far. Plus
Episode 179 - The critical writing techniques all in one episode.
Here are the most important fiction writing techniques boiled down to twenty-five minutes. I've talked about all these elements in prior episodes but sometimes it's useful to hear things again. This episode is a refresher. Support the show
Episode 178 - How to make readers laugh.
We may be writing a comic novel or we may want to add humor to our thriller or romance or horror or literary novel. Humor adds a strong element to most any story. Joe Pesci as Tommy DeVito in Goodfellas: “Funny how? I mean, funny like I'm a
Episode 177 - The description double duty technique.
Good descriptions of characters should do double duty: they can let the reader know what the character looks like and the description can also suggest something about the character's personality. Here are examples and thoughts on double dut
Episode 176 - Inventing a fabulous title.
The title is the book browser's first impression of our novel. The title should tempt the browser to pick up and open the book. Here are thoughts on how we can give our story a strong, enticing title. Also, how do famous authors edit their
Episode 175 - Writing funny dialogue.
We can write dialogue that makes readers laugh. Here are thoughts on creating funny conversations between our characters. Plus, we don't need to have our character look into a mirror to describe herself, which has been done time and again.
Episode 174 - How to ruin our story's first sentences.
A story's first sentence should make the reader ask, "What's next?" They should propel the reader into the story. Here's how to do it right and how to do it wrongly. Also, three master writers show us how to describe a setting. Here is a 20
Episode 173 - The magic of dialogue.
Dialogue is fun to write and fun to read. Our story should have lots of it. Here's a powerful thing dialogue can do: it can reveal (that is, to show rather than tell) what a character is thinking. The character's conversation can be lively
Episode 172 - Our first fifteen pages.
The first pages of our novel should contain certain elements and avoid certain elements. Here's a list of things to include and exclude in those first pages. Plus, ways to write forceful, clear, and lovely sentences. Here is a 20-episode ma
Episode 171 - Top ten list of bad advice for writers.
In these episodes I try to set out good writing advice but a lot of bad advice is out there, so here is a list of bad advice, and the list may help us avoid writing blunders. Here are also ten dialogue mistakes, and avoiding them likely mea
Episode 170 - Writing the crowd scene. And guilt and pride.
Here are techniques for keeping focus in a scene where there is a crowd, with an example from Harper Lee. And how Margaret Mitchell worked. Plus: how can we show rather than tell about a character's guilt or pride. Here is a 20-episode mast
Episode 169 - How to find a surefire plot.
Stephen King says there is no idea dump we can visit to find a good plot. We have to create our own plots. How can we do so? Here's a discussion on creating plots. Also, if Meriwether Lewis of the Lewis and Clark expedition can learn to wri
Episode 168 - Making our first sentence sparkle.
Does our story's first sentence cause the reader to ask, "What's next?" Or does the reader say, "So what?" Here are thoughts on creating a tense, sparkling first sentence. Also, how the masters use specific, definite, and concrete details t
Episode 167 - Revealing our character by the setting.
Our setting descriptions should do more than describe a place. They can also show the reader much about our character. Here's how to do so. Also: what's the main thing our plot needs: trouble. Here's why. And how Edna Ferber worked. Support
Episode 166- Showing our character's thoughts.
Two mistakes can ruin our presentation of what our character is thinking: telling rather than showing, and interior monologue. Here are ways to present thoughts in a way that grabs the reader. Also, how Octavia Butler worked. And examples o
Episode 165 - The rule of exceptions.
Sometimes the strongest writing technique isn't the strongest in our story. Every writing rule has exceptions, and here's a discussion on when to make exceptions. Also, how to create a strong title for our novel and short story. Support the
Episode 164 - Design our cover? And the masters on setting details.
We are learning fiction techniques, and we are or soon will be skilled fiction writers. Does this mean we should design our own book covers? Also, Michael Chabon's terrific sense of smell. And the use of details in the haunted house. Here i
Episode 163 - The benefits of an underdog.
Having readers fall in love with our character is so important, and making our hero an underdog is a good way to do it. Here are thoughts on underdog characters. Also, I'll read a few character descriptions from master story-tellers that ma
Episode 162 - The state fair plotting technique.
Our story should be like a state fair: one thing after another. Here are some ideas on state fair plotting. Plus: settings shouldn't be inert locations in our novel or short story but rather should work for our story. Here's how to get the
Episode 161 - Ways to give readers what they want.
Readers want five things in a story, three of which are right in the beginning. Here's a discussion of how to deliver those five things. Plus, a character's thoughts are the least interesting aspect of a story. How can we show what a charac
Episode 160 - Should our story have a theme?
Best-selling writers disagree on the importance of a theme in stories. Here are thoughts on whether we should present a theme in our novel or short story. And famous authors on their writing discipline. Plus, mixing genres when telling an a
Episode 159 - A surefire way to generate plot, the sidekick.
Putting a sidekick into our story adds many benefits, a main one being that readers love sidekicks. Here are some techniques for creating a sidekick for our novel or short story. Also, a list of catchy, memorable novel titles. And a big que
Episode 158 - A lifetime's writing advice reduced to one minute.
Were a young writer to ask me for advice, and only had one minute to listen, here is what I'd say. Plus: how Louisa May Alcott worked. And, avoiding the blahs and self-doubts when writing. Support the show (https://www.patreon.com/TheEssent
Episode 157 - How we writers can create a world.
Remember the fabulous worlds that fantasy, sci fi, and historical writers create for us readers? How do they do that? What works so well? I'll talk about world-building, not just for those novels but for all genres. And also: more on the cr
Episode 156 - How to write the fast start.
Many readers only give a story ten or twenty pages before putting it aside to look for something more interesting. A fast start is the best way to maintain the reader's interest. Here's how to write the fast start. Also, how Alice Munro wor
Episode 155 - The single most important ingredient in an unforgetable story.
Manon in Paris asked, "Why do some novels move us more than others?" Here is the single best way to make our story unforgettable, a story that moves the reader. Also, have we heard the advice, "Write what you know?" It's bad advice, and her
Episode 154 - Learning from the masterful writer Edna Ferber.
Edna Ferber was a master of character description. Here are a few of her characters, and maybe we can pick up some of her skill. Also, how many words a day do famous writers write, and how many words a day should we write? And showing pain,
Episode 153 - A legendary novelist's lesson for us writers.
Charlotte Bronte's novel Jane Eyre is a classic of western literature, a novel that endures and still hugely entertains because . . . it's so great. (How that for being profound?) Charlotte Bronte offers an important lesson for today's writ
Episode 152 - How the masters create their settings.
Why are some novels so good? One of the reasons is that the author is a master at setting descriptions. How did Charlotte Bronte and Edna Ferber make their settings magical? We'll talk about their techniques here. Also, strong verbs versus
