Linda Nochlin Explores the Role of Women in the Arts in a Previously Unaired Interview

On October 29, 2017, the world lost its first feminist art historian. That title, of course, describes Linda Nochlin, a leading academic who changed the world of art after she published her important essay, “Why Have There Been No Great Women Artists? (hyperallergic.com/377975/an-illustrated-guide-…)”

In 2016, I had the honor of interviewing her for the Women of Abstract Expressionism (hyperallergic.com/313450/why-were-so-many-wome…) podcast and only used a few minutes of our interview. In this episode of Art Movements, we release the whole interview (leaving out some in-between bits) where she discusses the role of women in the arts, how oppression impacts culture, and her personal friendship with Joan Mitchell and others.

I also briefly interview one of her former students, art writer Aruna D'Souza (arunadsouza.com), to explain what Nochlin was like as a person.

And the music this episode is “Brandenburg Concerto No. 4 in G, Movement I (Allegro) (en.wikipedia.org/wiki/Brandenburg_Concertos)” one of the most renowned compositions by Johann Sebastian Bach, who was Nochlin's favorite composer.