
From Tape to DSP: How Early Digital Delay Shaped Studio Sound
Donnerstag, 24. September 2026 · 14 min
Kapitelklicken springt direkt hin
Shownotes
This episode follows the trail of the first digital delay units—Eventide’s DDL series and AMS’s DMX—whose precision echoes and pitch‑shifting tricks paved the way for fully digital studios. We examine how engineers locked repeat times, expanded creative possibilities on tape recordings, and set a precedent that still underpins modern effects processors.
Learn more about your ad choices. Visit megaphone.fm/adchoices