Jack Butcher, Adrian Pocobelli and Emir Dino: The shifting state of the digital art market

00:24 - Verse Talks returns
02:55 - The state of affairs in digital art
04:40 - Launching new work, market cycles and algorithm whiplash
07:56 - Focusing on the internet as a canvas
09:15 - The difficulty in bridging crypto and wider internet culture
16:15 - Where are all the new artists post Art Basel's success?
17:55 - Crypto liquidity and its impact on the digital art market
20:34 - Building a diversified practice
22:35 - Has there been a shift in Jack's audience post Art Basel Miami?
28:40 - Over-indexing on institutions, the same names and public fatigue
31:27 - What actually changed after Art Basel Miami?
35:57 - Moving beyond Crypto Twitter
37:20 - Parallels between institutions interacting with crypto art and BTC's adoption by TradFi
42:09 - The benefit of releasing work into a quiet market
45:45 - Is 2020–21 Ethereum culture dying?
49:53 - The SILK model: global events, Eastern markets and physical-first collabs
52:48 - Jack Butcher at Art Basel Hong Kong
01:00:28 - Batsoupyum, cabals and treating money as meaning
01:03:55 - An argument for looking outside the echo chamber
01:06:41 - NFT aesthetics and the BAYC era
01:07:21 - Crypto art vs. art on the blockchain
01:08:13 - Node’s opening
01:10:42 - SuperRare's new exhibition, "We Have Digital Art At Home"
01:12:01 - Why Art Basel is so hard: costs and risks
01:13:33 - Bridging to the traditional art world and expanding beyond our bubble
01:17:24 - Martín Bruce's GEOCITIES auction
01:20:23 - Fresh blood, new energy and what’s next
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