A Lil' Bit Spoopy

Sambo. Maxwell? I hear you're on the the CPAP diet. When you CPAP you snore it.

Don't come for my sleeping patterns when you're wearing a Paisley shirt.

Brother, your sleeping pattern is wild more wild than this shirt's pattern, I can tell you that much.

Did a doctor tell me I could have sleep apnea?

Yes.

Did they say maybe consider a sleep trial? Yes. Have I? Will I? No.

Sam out here being like sleep apnea. I hardly know her.

Well, I do snore, and I'm thinking maybe I don't sleep very well.

Um you win some, you lose some, you know. Uh you win some, you snooze some, but in your case, not the second one.

No, but I don't know what I'm missing, you know. So can I operate at 40% functionality? Probably. Arguable. Look. How are you, Mr. Paisley? Not bad, thanks. We've got a Paisley shirt and camo pants.

Yeah.

Not not in the same camo.

Not in the same phone well, like maybe if the camo was like nighttime camo. You know, on a starless night.

Yeah.

Starless moonless night. Shakespeare. Yeah.

Friend of yours. Yeah. Big Willy. Went to school together, they didn't.

Would a rose by any other name be half as Paisley? Happy with that one, aren't we? Well, I'm not, but the Bard was alright with it.

Are you one of those influencers that sits at the barber chair? Phone running, and everything they do, you go. One of those people that has fun at the barber.

I'm unsure what that means. I don't think I've this is not in my face.

He's not chronically online.

No. Do you talk to your barber? Absolutely.

Oh, your friends with my bar. I'm friends with my barber though. I'm not. I'm just power fucking power staring in the mirror. Why? Because I don't talk. Well, you said on the top of my head the other day at Lorna Shaw. That shit is chopped. Fucking Lorna Shorn. My barber fucked my shit up.

And you know what? I appreciated it. You should give the people a quick No. A quick squeeze. No. I mean, I says me, I haven't got a haircut in ages. I'm looking scruffelicious.

Billy Scrukes Mark Bay. I'm having a huge energy drink too. I am going to be sleepless tonight, just like this the doctor told me. Fucking hell.

Shall we do some new music then, Sam? Fresh new tunes. We can't do that the third week in a row. We can't. Some fresh new songs, Sam.

Not the accent. Don't you're teasing me a lot. No, not tears me. I miss our sound effect button. I don't. Sam.

Some fresh hits. Some so fresh hits of summer. No, what? What are we? Fresh hits of spring 2026, Sam. Siggity-siggity sec yourself before you check yourself. Sam, first song this week comes from friend of the show, Dan Devitt. Shout out, Dan. Thanks for that. Our boy. Our legal practitioner. Our cute little boy.

Baby boy. He recommended me this new track from a band called Scuzland. They are out of New York City. And it's got a real kind of art pop in the club vibe. Think like you'd hear this on a dance floor in like New York or Berlin or something like that. It's like, I feel like if like Madonna or Lady Gaga met like talking heads, but then like a lot of like slacker rock in there as well.

So the song is called Rockstar Baby, it is by a band called Scuzland. Um just fun. It's just fun, Sam.

unknown I just don't know why all of you weren't just so fucking.

And our boy recommended you do that song. He certainly did. He's a strange little unit, isn't he? He he runs the gamut, you know?

He does the full spectrum. He does, and with music.

Yeah, quite a good shout out from the Danny boy, uh, the man in the deathcore band. Riddle me that, eh? Yeah. Anyway.

He's a man of multitudes, Sam.

Multitudes. Plenty of time for the great man.

Anyway. Sam, what's new for you? What's poppin'? What's what's hot? What's fresh? What's uh spinning out of the box, Sam? What's that licorice pizza? What's good? What's good, Miley? Ninke manjarge. If I just kept going, I would have eventually found something that got you.

The silence after Ninki Minj. Fuck me. It baffles me that people listen to this show. They don't. I know. And for good reason. The numbers keep growing. Love you, everyone.

We keep them guessing.

Fresh new songs, I say. Yeah, yeah. Shoe gays, heft, and hyperpop this week for me, Maxwell. Shoe gaze, heft, and hyperpop. I've got a parrot. I'm gonna start with some shoe gays, Maxwell. And this is I Know by Breakaway and Soft Cult. Um think Soft Cult and think breakaway, and they did a song together.

You know what? You're blowing my mind. I'm not gonna lie. Very guitar-heavy, very washy, very uh kind of wisp dreamy vibes. Uh kind of mourning, it's like mournful yet uh yearning vibes. Right up my alley. Shut up.

It's soft, it's nice, it's smooth. Soft function butter. Butter bing butter boom, Sam. Next up, another recommendation, Sam. Friend of the show, Gemma, shouted this one out for me. Uh and no study on your own, huh? Wait, I don't do any work here. Uh, this is by a band called Cowboy Hunter, and the song is called Punched in the Head.

And again, it's so it's part part rock, part hip-hop, part like light dubstep. Really fucking weird. Um, think kind of like Get Down Services meets Joshua, not Joshua Tree, Oliver Tree, his brother.

Joshua Tree. Yeah. You too's friend.

Yeah, exactly. Um, Rip to both Joshua and Oliver. Um, but yeah, this uh very, very weird, but kind of got stuck in my head all week, so hit me with it. Made the list.

Better than I thought. Bet better than he's on a roll, everybody. He's one reference away from an accent that's racially ambiguous. Uh Wind Waker dropped their new album, Smiley on Camera. Shout out our boy Liam. Hey buddy. Buddy. Chief Pal. Anyway, this one's called Overlord, and it is Wind Waker at the heftiest.

Lord me up, Sam.

Get comfy, sir. I'm I'm I'm locking in. Oh my. The double double kicks.

Yeah.

Quadruple kicks, Sam.

Quad kicks. Man's got four legs.

I've never heard of those. There we go. Sam, this next artist is Jane Remover. Um, they are from New Jersey. They are playing at Laneway next year. They're probably the artists on the lineup that I knew the least about, but have heard the most good recommendations about. So I went and checked out Jane Remover's tracks.

Um, Beauty Sleep is one of the newer ones. This is an incredibly intense song. This is kind of like hyperpop meets dance meets like electro metal.

I've heard Jane Remover is pretty intense.

Yeah. So I can't tell if I necessarily enjoy this song, but I'm certainly intrigued by this song.

Bit of shady nasty to it.

Well, kind of, but just not doesn't sound anything like shady nasty.

It's like shady nasty in that it's nothing like shady nasty.

Yeah, it's shady nasty by by vibe, if not by sound. It's the intrigue. Yeah, yeah, exactly. So this is Beauty Sleep by Jane Remover. I know, there's so much unpack.

I was just waiting for the reprieve and there's none.

It just keeps and that's it just keeps building. Yeah. Yeah. That's like unenjoyably intense. It's so intense. But at the same time, like there's something about it that's very like in the same way that like some hyper like aggressive metal is the same. Like, you know, kind of primal. Yeah. It's just so you know what I mean?

Yeah.

If someone was listening to that seriously, I'd have genuine concern for their mental and emotional welfare.

Yeah, there's something punk in the way of like stripping it back to like just like sound more than like punk? Yeah. Like the the the kind of the the the pairing it back to its like bare form musically.

Yeah. In the same way people love hard style.

Yeah.

Which I've been kind of low-key getting into. He's he's getting hard, people. Gotta be. Back to Shady Nasty. Anyway, uh, I'm gonna bring some indie rock for you, Maxwell.

Some indie rock. Oh, keep the guitars up around here then.

Yes. What you said. Uh this song is called Spider. It's by Jade Street. I think kind of jangly guitar with a bit of um swanky kind of um Fitzroy core vocals. Fitzroy garage party. Yeah. But kind of deep and I'm so cool. I've got a fucking bobby pin in my ear and a graffiti because it's the purest form of art.

Yeah, right.

Like fucking go get a job. We say that as typical who do a podcast for half the day I find about half our time. I have a job. You have a job.

Job on.

Yeah, Bobby. Yeah, it's cool. Good uh good melody to that. I like that.

Yeah, I thought you might like it.

I like that. Let's get to the news, Maxwell. Over to the headlines, Sam. There's not a lot. Not a lot. We thought we'd rush through. We've got things to do, Sam.

Anyway, to the suitcase now.

We're busy boys. We are busy beavers. But uh Max loves wood. Chewing it. Sam, one of the bigger pieces of news that's dropped this week is a party in the paddock in Tasmania. Uh, they're back again. They've dropped their lineup. And I'll tell you what, there's some some pretty good stacked uh, you know, artists on here and an all Aussie headline run.

Is it all Aussie?

Yeah, it is too. Yeah.

I was uh Is that all Aussie as in like not every single one? That's what I was confused about.

I was like, all Australia. No, no, no, but the headliners are. How do you want to attack it? Do you want to go day by day? You go one, I'll go one.

You go Friday, and then we can uh we can beat up from there.

Well, you've got Gang of Youths. Heard of them. Uh Violent Soho, Lambrini Girls, Rum Jungle, uh Trials Dane. Is that how you pronounce it?

Yes.

Yes, Boon, the Gnomes, Sleepazoid, Mudrat, uh, and then a fucking heap of others.

Saturday, you've got Neodiraci, Lime Cordiale, Holly Hummerstone, Don West. Oh, man. Sexiest man in music. He's a hot dude. Old Mob, Play Lunch, Lady Hawk, hey, nothing, Maya, and then again, a stack of others. Yoga. Yoga. Shout out yoga.

Shout out yoga.

Do you want to take uh do you want to take the Sunday?

Hills Up Woods. Wow, okay. Uh G Flip, Missy Higgins, Blue Brigada, Stan Atlantic, Dean Turnley, uh, Shady Nasty. Go on a Sunday all of a sudden. That's actually, yeah, so Sunday's a more alternative day. That's cool. Yeah. Um then internationally you've got Marlon Fanaki, Drama, and Lady Shaka.

Yeah, so if you're in Tassie from the 4th to the 7th of Feb next year, hell of a good lineup.

And you've randomly got a Thursday as well.

Yeah, I think that's for campers. That's the classic, like, splendid to the Thursday night for campers on ground.

Even that, like Jungle Giant, Tamba Chude, Echovandal, Betty Rays, Midrift, Swap Meat, Pash, Idol, Isle 2, and Low. That's uh I mean, even just for just for a little camping Thursday. That's yeah, that's quite good. Yeah. In Tassie, in Feb.

Yeah. I think uh Party Than Paddock's quietly shaping up to be the big three-day camping festival to get around.

Yeah, bring a three-day festival back. I won't be camping.

Yeah.

Um, I've done my time and it was more than enough.

So one day if you run into Sam in public, asking about his adventure with his uh tent at Falls Festival.

Did I have tent pegs? No. Did I bring anything to sit on? No. Did I bring any sort of shade? No. I literally brought a tent. Yeah, with a fly that was Yeah, and then people kept tripping on the ropes. That you'd loosely placed on the ground? Yeah, with like eskies and shit weighing them down. Um crazy how quickly I lost drinks doing that.

But um yeah, nothing better than going to sleep at like 4 a.m. Yeah. The campground finally starts to quiet down. You can just hear a couple of people having sex and you go, I'll go to, you know, have a quick wank and then soundtrack to the wank. Just kidding. Seriously. But um, yeah, and then people just keep tripping on your your tent.

Yeah. It's quite frustrating. It's a nightmare. Nightmare stuff, Sam. Yeah, I don't miss it. I don't miss camping festivals.

Other bit that uh dropped last week is Apriamcos, who are the they're the kind of overarching body who you good over there?

Yeah, I'm just gonna smash it. You keep talking.

Knocking back the kamikaze. Uh not sponsored. Not sponsored, but if they want to. No, they don't. Apriamcos, who are the overseeing body that organizes royalty payments within Australia and New Zealand. Um I know. They put out their year in review, year in review report from July 2025 through to June 2026.

And I wanted to do a bit of a uh compare and contrast, if you will, Sam. So the upshots from the report are basically that the distributable revenue that Australian and New Zealand artists earned was up 10.6% to $755.7 million. And I know that's a lot of numbers, but in essence, Australian New Zealand musicians are making more money.

Um, that's being driven by international income, digital business, and which is good. And then the one that kind of made me laugh is restaurants and fitness uh centers are paying more in like royalties to play songs in house. Yeah, right. Which is cool. Um, that money went to be distributed between 2.024 million songs, uh, and that was paying more than 63,000 writers or composers.

So a lot of songs, a lot of uh artists are getting paid. That also includes like composers for film and television and video games and a whole lot of other stuff. So it's not just um pop music or popular music, but it is the full gamut of anyone who's getting paid music royalties in Australia, New Zealand.

But, Sam, this is the big debut. Uh the only Australian song that I could see that landed in the top 10 of the Aria charts in that period was uh Tame Pile with Dracula. Dracula. Um, and if we were to expand it out to really be generous for all of 2025 and into the first half of 2026, if we include New Zealand artists, that includes Lorde, who made it in May with what was that?

So increasingly Australian songs are earning more, but they aren't performing in the charts here. And 91% of music streamed in Australia by Australians is from overseas artists. So we're listening less.

So what would you say is the solution if we were to have one?

That's it's such a good question because that's exactly right. How do we get more Aussies listening to Aussi music?

Yeah. It does feel like apart from Triple J, it feels like the other major radio stations just play whatever's popular. Yeah. There's not a dedicated, there's not even a dedicated Aussie hour.

No, very, very few. I mean, like, shout out to people like Nick Kelly and Matty Rowe, um, who are on um hit and Nova, respectively. Um, and they're bringing a lot of fresh new music and often Australian music.

Nick Kelly, yeah, very much like ear to the ground in tune with the local scene. Then you've got local radio stations, like in Brisbane, you've got four Triple Z, but they're on the very grassroots kind of level. Yep. Um it does feel like yeah, the major radio stations are giving and they probably always have to a degree, but I think it's more noticeable now that the internationals are dominating.

I think it's like obviously a lot of Australian um uh radio stations and also TV stations and I think uh you know your streamers like Netflix and stuff like that have quotas of Australian content they have to play and produce and all that kind of stuff. I think the problem with a lot of um, especially the commercial radio stations is that you can tick that quota by playing, you know, Australian band that was big in the 90s or you know, uh five.

100%, which is great. Don't me wrong. I love that and I love that we should like we should be playing Australian music all the time. Yeah, but it doesn't create a lot of space for new and up and coming Australian artists to get into that. They can't graduate into that frame if the 90s music, you know, 80s, 90s and now now covers 40 years.

Yeah. Um, so it's it's a lot harder for new and upcoming Australian artists to break into that bracket to get played on commercial radio, to play played on or to get picked up for a TV show or something like that.

It is becoming a bit of an issue because you've seen in the last couple of months there's been a lot of local and smaller acts and musicians, and even from the creative side as well, there's been a lot of creators step away from music in Australia because there's just not a lot of support, there's not a lot of love in and around the industry at a national level.

And the ones that are ambitious enough to take the risks, you think of I don't know, vacations, you think of Shady Nasty, you think of Thornhill in a way. They're all venturing overseas because the market here's just too small. Yeah. And it's dog eat dog. So unless you're someone like Tame Impala, who can just dominate with whatever you put out.

Well you're proven, you're a proven gamble on that stage.

Yeah. I just think in general there needs to be a pivot. I was watching the other today actually, the there was a quite a famous musician being interviewed by Sunrise or something. Yep. And just the level of journalism is insulting. Like, oh, I'm trying to think who it was. Who's touring at the moment?

Here?

Yeah.

Are they Australian or is it an international?

I think it's international.

Um Zara Larson or Hilary Duff.

Hillary Duff. Yep. Hilary Duff was on Sunrise. Okay. And the interviewer think of all the people in the music industry that we know, creatives, who would die to interview Hilary Duff and kill it. Yeah. Like research it to the hills, have interesting insights, have genuinely great. Conversation. Yeah.

No. Sunrise get it. The first thing Hillary Duffy's asked. Yeah. Have you done a shoe we? Like, fuck me, man. That's just so lame. Yeah. And that's their repression of Australian media. Yeah. And then they come back and they go, I don't want to do press. Which fucks.

Sorry, Rand. Like, to be fair, uh, Sunrise aren't music journalists. Like, so to that end, I'm not, I don't think we should hold them to the level of a music journalist. But I do I do get to take your broader point, which is that like if if you're going to give music that platform, treat it like respect it.

A hundred percent. Yeah. Talk about the set list. Like, even if you're talking to the masses, everyone knows Hillary Duffer, her hits. Yeah. She's got new music out. Which fucking slaps. The new album is fucking awesome. Talk to her about how she balances out. She brought her kids out on stage and they ate pizza.

Like, yeah. Bit of a waste of all your punters money, if you ask me. But like she can do whatever the fuck she wants.

Yeah.

Why not ask about that?

Yeah.

I just think it's such lazy journalism.

Yeah. In terms of like what you as a little a listener can do, uh, you know, to help get more Australian music, obviously, you know, go listen to your Australian for favorite Australian artists, but I think it's a lot of like find out, you know, when you when you scroll to the bottom of a of a um uh you know the Spotify and Apple Music, whatever streaming platform you use, go through the sounds like you know, for fans of or sounds like, or you might also like seek out some of the Australian ones, just have a just give it a spin.

You never know, you might find something good, you might you might find that that next layer down of like newer up-and-coming artists, and that might become your favorite band. You can tell everyone about it. I think in the end, it's just it's about that like manual search rather than relying on the algorithm to feed you.

Completely agree. I think I can speak for both of us when I say some of our favourite artists have been discovered through manual searching or putting yourself in a position where you will discover new music. And you do have to play the game, like six out of ten will be shit. Yeah, three of the rest will be it's okay, but it sounds like XYZ.

And then there'll be that little little nugget that'll it's like golf. Yeah. You'll play shit all day and you'll hit one good shot, and you'll be like, I love golf. I hate golf. I know you do. But um, yeah. Just get around Aussie creators. Oh, sorry, Aussie musicians being selfish. Get around me. Uh.

Should we get to the suitcase, Maxwell? Zip, zip. Zip and zip. We're going melancholy again, Maxwell. Melancholia. I'm going a bit of a heavier edge, and then I'm gonna strip it right back for this one. Probably we've all had a heavy edge from time to time. Oh, we do, and sometimes it's needed. Um, just to really appreciate what we have, you know what I mean?

Um but I'm gonna start off with one of Lodhe's best songs. It's from I Let It In and It Took Everything. It is a sad cartoon. Uh, probably my favorite Lloyd song. Wow. Very shoe gaze, very melancholy, very wall of noise. Chonka. Chonka. Yeah, yeah. Them badatone guitars. I went, I'd fuck that up. Leave that in.

Next one, Maxwell, is a bit of grunge melancholy from Ocean Collie? Melon Grunge. Melon Grunge, I don't know. Whatever you grunge colic. No. That sounds like a bad disease. You don't want it. Yeah, it does. Oh, I got grunge collier. Oh no. Put him down. Euthanasia, right? It's like gangrene between the toes.

Um bit of ocean grove. Uh, Mr. Centipede. Probably the song that got me into Ocean Grove, to be honest. From the Rhapsody Tapes. Very, yeah, I'm gonna say like dystopian Nirvana.

Oh.

Yeah. That's kind of that's a contradiction in terms. Yeah, I know, because well. No, I thought you'd say that. So I've completely pivoted, like I said. This one is called Isefka. Fucking what? I or Lesefka. I can't tell if it's a lowercase L or a capital I. Um I-O-S-E-F-K-A. I-O-S-E-F-K-A by Hyane. I bet you that's Yosefka.

Yosefka. Uh, this is very melancholy. Very like grungy melancholy.

That's two thousand and nine indie nipple guitar yeah. With the with a bit of a dash of just yeah, just dash of distortion. But again, you don't you don't know is it happy or is it sad? Well, I think one of the defining features of uh indie pop in that time was that the there was always a disparity between the the the happy tune and the often melancholy lyric Sam.

So in many ways, it's a meta commentary on the state of indie pop. It is circa 2010.

Next one, Maxwell. It's a bit Brit rock. Anyway, now's not the time by Jaws, one of the most underrated bands in the UK Brit rock genre. Gone too soon. R. Ip to the boys. Where they go. They all die. Um I've brought this show, uh I've brought this show to the song before. It's um very melancholy. Um stere um stereophonics, Dakota.

Dakota, stereophonics, yeah. Also, one of the best songs ever written. It's good, it's a good song. Max disagrees.

It's a good song. A lot of build. A lot of build. A lot of build.

Back to the edging component. Uh, and the last one, Maxwell is definitely melancholy, borderline sad as fuck. It is at the beach in every life, Gigi Perez, and get a Kleenex. Cause I don't know what to feel.

Just a just a minor chord.

Yeah. But she sounds happy. Does she? But she's not. It's about her sister dying. Well, you know.

That's a relationship with your sister, I suppose. Everyone's sister dies. Everyone dies. In just a couple of days, you're gonna hear Monster Mash. You're gonna hear Thriller. You're gonna hear probably Dracula by Tampa. You know, you might even hear Monster by Kanye. And those are the classics. And for a for a at a big event that is so big in the popular imagination, there are just not very many like Halloween songs.

So, these are some tracks that I think you could you could add to your Halloween playlist to just make it that a little bit more creepy. Spooky. Spoopy. Spoopy. It's gonna be a little bit spoopy.

So scary, I pooed my pants.

Yeah, some spoopy Halloween thong, fam.

Actually, I'm yeah, I like it. Alright. I've got one to throw in at the end for you.

Oh, please do. Please dart. Sam first one. It's probably the only actual one in here that I think is a genuinely eerie song. But it's from an alb first of all, it's from an album named Monsters, so it's already there, thereabouts.

Lady Gargoy.

Um Hey Monsters. It's uh America Online by the Midnight.

Oh, banger.

And I think partly because there's like the tapewarp kind of sound, partly because it's so obviously trying to like polish up like a kind of eerie nostalgia that you know wasn't really real, it's like a fake reality. And then partly because like it's just it just sounds like a like found footage kind of thing.

Sorry, it's in my head already.

I'm dancing to it before you've even played it. It's such a banger. The people I don't think it's scary. It's eerie it's eerie. It's eerie. It's like dial up computer in the middle of the night, everyone's asleep, but are they? It's a bit like you're young and innocent, and the world kind of scares you still.

But also, like imagine imagine you're it's the 80s, you know, you're asleep in your bed and then your computer just starts up and you hear this. Like a bit like poltergeist. It's kind of like the computer version of poltergeist, you know what I mean? I'll have to take your word for it. You were alive, then I was with father.

Yeah, I was 50.

Such a banger. It's just a bit creepy. It's just a bit creepy. Yeah. With the Stephen Hawking. I don't want to go to the island. Boy Diddy. Uh I'm not sure.

He was doing his own thing. Um, so yeah, I think uh, you know, put that on in the on the playlist and just see how people go. Yeah. Next one, Sam. It's You Can Never Go Home by the Dare on its surface. Probably it's a banger about staying out all night and partying. But just think about that title for a second.

What if it's like American psycho? You know, Patrick Bateman has got you kidnapped. You're stuck. You can never go home, and he's gonna fuck your shit up. You're being held hosted, he's gonna kill you. Jilly Hughes and News.

Yeah, it's eerie. It's eerie. I'd say that one's scary than America Online.

Well, think about you gotta think about these things, Sam. It's all the framing, isn't it? Sam, next up, Sam, is uh it's the horror, Sam, of war. It's the horrors of losing a friend at a battlefield. It's Friend in the Field by Art vs. Science. Oh, it's not the Hacksaw Ridge soundtrack. No, it's not the Hacksaw Ridge soundtrack.

It's it's all about, you know, the things you've seen out there, man. They stay with you.

unknown They do.

This is this is a PTSD anthem sound. Oh my god. Uh yes.

I once saw dad doing a poo. Horrific. PTSD.

You're puzzled like you never heard that song.

I haven't.

Fuck off. Absolutely you would have.

The vocals for me just ruined it.

Really? I was like, that's cool. And then the vocal style. I was like, oh, what a shame. Damn. Uh from the same from the same uh EP that Polybrefon Say was from.

Yeah, much better song.

Yeah, well, there you go. Uh next, Sam. It's instrumental, but the title does the talking here. I think the creatures that lurk beneath in the murky depths of the ocean. I think this is subnautica. It's subnautica below zero, Sam. I think Jaws, this is the worst game of the trilogy.

You pick up the worst one. Which one are you picking up? The original. Yeah, it's too bright and sunny. Subs, I think below zero. Are you kidding? Below zero is in like Antarctica.

Yeah, it adds like a certain like you feel colder. You know, more alone.

You're going more for the temperatures.

Well, I'm going more for the like the way I feel.

I was like, The first time I played Sud in Ortica, I was literally sweating. Doing some poops in the pants. Yeah. I sweat profusely. It is a fucking scary game. It's so fucking scary.

Sam, the song that I was talking about though is Sharks in the Water by Frank Murdy. Pure instrumental, a bit of a bop, but um sharks in the water. They're scary, Sam. People's phobia. Stalled the car.

Couldn't figure out which one was where.

Fuck. Um you know what, Sam? Let's uh let's let's wrap it on a high. Remembering these these are all these should all be dancehall bangers. Like, you know, you should all be having a little boogie.

Boogie.

Uh last one, Sam. This is uh it's a meta commentary about film, a horror film, if you will. And it ends in murder, Sam.

Murder.

Judith, no.

Bangers. Bangers. I'm gonna throw one in for you. Mix it up. This is Devour by Haunt Me. This could be on the Wednesday soundtrack. This show comes out on a Wednesday. Very goth dance. Yeah, yeah. That's cool. I'm getting into my goth dance.

Like a big titty goth goth dance girl.

No, I'm scared of women. We've addressed this. Could be a boy, could be a could be a big titty goth dance boy. That'd be really confusing for me. Anyway, on that note, we'll all discover things about ourselves, Sam.

Trick or treat?

Trick. Do a card. Pick a card.

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