
Drowned in Sound· Staffel 5· Folge 3
Kelly Lee Owens: Record Shops, Raves, and Rebuilding Music From the Ground Up
Dienstag, 13. Januar 2026 · 54 min
Kapitelklicken springt direkt hin
Shownotes
Fresh from touring stadiums with Depeche Mode, DiS meets electronic music pioneer to discuss her past, the present, and the future of music.
This is part of Drowned in Sound’s 25th anniversary series in which Sean Adams continues the anniversary series by sits down with some of our favourite acts of the past quarter century. Kelly Lee Owens is very much one of those artists, who has featured in DiS year end lists and awards and playlists since releasing her debut EP.
The episode starts on the education that comes from working in record shops and becomes a wide-ranging conversation about how music communities form, fracture, and sometimes regenerate. Moving across North Wales to London basements, from pressing white labels by hand to playing for 75,000 people with Depeche Mode, Kelly Lee Owens traces a path through all corners of music: the shops, venues, teachers, collectives, community centres, and accidental mentors that shaped her, her music, and her career.
Sean and Kelly chat about their working class roots, the discipline of DJing as storytelling, and the economics of grassroots music. Kelly Lee Owens reflects on why she now deliberately plays shows in places artists rarely go, why she sees music as a form of healing as much as entertainment and why community matters more than scale.
If there’s a thread running through it all…it’s this: music isn’t a product or a pipeline. It’s a relationship. And like any relationship, it needs time, space, and care to survive.
Visit drownedinsound.org/playlists to discover new music in rich Hi-Res lossless quality and start your 30-day free trial of Qobuz at qobuz.com/dis.
Edited by:
Josh Craggs at Dubble Audio (dubbleaudio.com)
Chapters
- Introduction
- Record shops as education and community
- Obsession, discovery, and how taste is formed
- The early 2010s shift: risk, hedonism, and electronic culture
- DIY culture, SoundCloud, and pressing your own records
- Human curation vs automation and playlists
- Playing huge rooms: Depeche Mode, confidence, and scale
- Returning to small places: community shows and access
- Grassroots collapse, class, and structural inequality
- What £500 million could fix in music culture
- Music as healing, frequency, and emotional space
- The future: rebuilding value, community, and care
- Outro
Continue the Conversation:
Head to the Drowned in Sound community (community.drownedinsound.com) to chat about the topics in this episode.
Subscribe:
Get weekly essays, interviews, and insights from the Drowned in Sound newsletter (drownedinsound.org) - exploring music, culture, and resistance.
Links & Resources:
Music Venue Trust — protecting grassroots venues
David Byrne — How Music Works
davidbyrne.com/books/how-music-works (kellyleeowens.com)
Fabric London — venue history and cultural importance
Piccadilly Records (Manchester)
Pure Groove Records (London)
puregroove.co.uk (kellyleeowens.com)
Kelly Lee Owens
Stop Making Sense — Talking Heads
Cocteau Twins
The Knife — Silent Shout
Warehouse Project (Manchester)
Neuadd Ogwen / Bethesda community venue