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Joanna Lumley & The Maestro

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  1. The Coronation (Part 2)

    Joanna and Stephen return to your questions about the King’s coronation. They discuss the old and new compositions and commissions from the day and the breathtaking conductorship of Andrew Nethsingha and Sir Antonio Pappano.

  2. STRAUSS PARTY!

    In this episode we dive into the life and works of Richard Strauss, one of Stephen’s favourite composers. Joanna and Stephen take a tour through his ‘ultra-modern’ operas Elektra and Salome and also chat about his enduring legacy of work al

  3. The Coronation (Part 1)

    Joanna and Stephen spill the beans on the coronation of King Charles III and Queen Camilla. As favoured guests, they tell us about their favourite moments from inside Westminster Abbey on the special day.

  4. Welcome To The English School

    Have you ever wondered how musical styles become synonymous with certain countries, regions and places? What is it about the Italian school that defines it from, say, the Nordic or the French school? In this episode Joanna and Stephen take

  5. Modern Classical Music - Just For ‘Smarty Pants’?

    This week Joanna and Stephen dive into the inbox to tackle your questions, like: What music makes them cry? Is modern classical too ‘clever’? And what does the maestro hear when he listens to music? Got a question for Joanna and Stephen? Dr

  6. Mark Kermode: Scores, Cinema and The Sound of The Exorcist…

    Mark Kermode, Britain’s most loved film critic, is Joanna and Stephen's special guest, discussing his favourite soundtracks, composers and we go on a deep dive into the music of ‘The Exorcist’ - Mark's ‘gateway drug’ for discovering countle

  7. Opera - Just For The Posh?

    Another round of your brilliant questions. Joanna and Stephen tackle a big one, is opera just for the upper class? (Spoiler alert: It isn’t). Plus, if you could be any composer in the world, who would you be? And what’s the greatest James B

  8. Sean Rafferty: Celidhs, Studio Emergencies and the Musical Sublime

    Joanna and Stephen invite another guest into their home. Classical music aficionado Sean Rafferty discusses his lifelong love of music, and our trio discuss learning to play music, the culture of arts in Ireland and what happens when a bomb

  9. DA-DA-DA-DAAAAAHHHHHH

    This week our intrepid classical crusaders tackle questions like; if Joanna and Stephen were pieces of music, what would they be? Where should you start when it comes to collecting CDs or vinyl? And is Beethoven's 5th Symphony really the GO

  10. The Art of the Possible: Musicals, Shows and Operas…

    We need to talk about musicals. The most popular ones tour up and down the country and play to packed out theatres 8 times a week. No need for state-backing here! So why can’t opera do the same? In this episode, Joanna and Stephen discuss h

  11. We All Love a Disaster

    What happens when it all goes wrong? What’s the most embarrassing thing that can happen to a conductor? Conducting with your flies down? And have Joanna or Stephen ever dozed off during a show? Got questions for Joanna and Stephen? Drop the

  12. Arnold Schoenberg: The Man who Changed Music

    Captain, We Hit A Schoenberg! Did Arnold Schoenberg break Classical music? Widely considered the greatest composer of the 20th century, Schoenburg’s innovations in ‘atonality’ (a term he detested throughout his life) changed the trajectory

  13. Virgins, Nicknames & How To Train Your Maestro…

    Its question time again! This week Joanna and Stephen discuss your questions on nicknames for operas and where to start with listening to them. Stephen also reveals how one becomes a Maestro…

  14. Turning the Tables: Joanna’s Life as a ‘Moving Target’

    In this episode the Maestro turns the tables on Joanna and asks her questions about her life, her career as an actress and how she became a diarist for the Times. Joanna talks about why she wanted to become an actress, how being a model hel

  15. Stick Or No Stick, Deadly Composers & Interpreting The Score

    What drove 16th century composer, Carlo Gesualdo, to commit homicide? To baton or not to baton? And how do composers really interpret a score?

  16. Stripping The Score

    Have you ever wondered how a conductor deciphers the individual musical parts and melodies from a whole opera score? In this episode, Stephen and Joanna deconstruct Richard Strauss’ monumental opera, Salome - a score which contains the so-c

  17. Sex, Death & Pythagoras?

    What did Joanna and Stephen play at their wedding? Why does everyone die in opera? And what the heck does Pythagoras have to do with music?

  18. Anthems

    Love them or hate them, everyone has one. In this episode, we’re discussing National Anthems. In Japan they sing of generations reigning eight thousand years. The French sing of slaughtering enemies until their ‘blood should water our field

  19. Your Questions: Patsy, Broken Batons & The Future Of Conductors

    We’ve turned the tables! Welcome to a mini episode where you get to ask Joanna & The Maestro your absolutely fabulous musical questions.

  20. Ade Edmondson: Learning Lines, The A303 and Being Forced to Listen to Classical Music

    Ade Edmondson joins Joanna and Stephen to kick off season two! The actor, comedian and musician discusses his own complicated relationship with classical music, his jack-of-all-trades mentality to learning instruments and why his Dad never

  21. So, You Think You Can Sing?

    Opera is to ordinary singing what Olympians are to dog walkers. It takes years of dedication, practice and coaching to develop a fully rounded and mature operatic voice. So, how well do you know your mezzo soprano from your contralto? In th

  22. The British Greats (Part 2): From Hendrix to Handel

    Having previously fallen down a wormhole in Part 1, Joanna and Stephen start with Jimi Hendrix’s illustrious Mayfair neighbour, George Friedrich Handel (albeit 200 years apart) exploring the legacy of this German-born genius; they also wond

  23. Songbirds

    Some extraordinary songs transport us to another time or dimension. This week our classical duo explore compositions which move us to our very core by taking a tour through the evolution of the song itself. Diving into folk melodies, arias,

  24. What’s Wrong With Opera?

    Why does Opera make some people (maybe you?) run for the hills? In this episode Joanna and Stephen dig down into the big questions… Like, when did Opera become posh? How did it evolve from musical drama? And can it be reduced to 6 emotions:

  25. The Voice: Frank Sinatra, Elvis and Doris Day

    Who is the finest singer of all time? And what makes a legendary voice? Is it technique, style, phrasing or simply magic? This week Joanna and Stephen discuss their favourite singers, find out why do we fall in love with certain voices, and

  26. The Good, The Bad And The Film Music…

    From 'Jaws' to 'Genevieve', 'Gone with the Wind' and 'Bond', every brilliant movie has to have a great theme tune. But who were the composers who wrote these iconic pieces of music? In this episode, Joanna and Stephen dive into the greatest

  27. The British Greats (Part 1)

    The 18th century saw Great Britain referred to as “Das Land ohne Musik” - the land without music by continental Europeans. Quite the damning reviews. But why? And more importantly, is it true? Joanna and Stephen launch into the archives of

  28. The Birth of the Symphony

    In this episode Joanna Lumley and her husband Stephen Barlow tackle a biggie - the Symphony. We’ve probably all heard these types of composition - usually involving full orchestras and four distinct movements - but where did they originate

  29. Puccini Unbound

    Sex, death, betrayal: all the good stuff. Puccini has it all. If you’re a total beginner or an opera aficionado, this episode is about the amazing operas of Italian composer Giacomo Puccini, the glorious melodies and how they capture his ch

  30. What Does A Conductor Do?

    Joanna Lumley has a few questions about her husband’s profession. As well as being a composer and pianist, Stephen Barlow is a conductor - but what does that actually mean? What is it that a conductor actually does? Do they set the speed of

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