Writing Excuses

von Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler

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24 mintypische Länge
25. Okt.letzte Folge

Fifteen minutes long, because you're in a hurry, and we're not that smart.

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21.16: Tension and Release as Call and Response
Today, we’re talking about tension and release as a kind of call and response, and how that dynamic can guide your reader through a story. It explores how different types of tension—conflict, unanswered questions, anticipation, and
21.15: Using Contrast for Maximum Effect
Today, we’re talking about how to use contrast to make key moments in your story hit harder, especially in the middle. We explore how pairing light and dark beats, shifting expectations, or placing opposing elements side by side ca
21.14: Because at First, They Don’t Succeed
Today, we’re talking about the “try-fail cycle” and why failure is essential to making the middle of your story actually interesting. It allows readers to follow characters as they try something, fail, adjust, and try again until t
21.13: Does The Middle Have To Be Soggy?
Today, we’re taking on the idea of the “soggy middle” and why stories start to lose momentum—often because characters lack clear action, obstacles feel thin, or scenes repeat without meaningful change. We break down how stalled plo
21.12: Breaking Down Barriers- Environment
When writing feels harder than it should, the problem might not be the story— it might be the room. In this episode, our hosts explore how environment shapes process, from desks and chairs to light, sound, and visual clutter. We ta
21.11: The Cold Open- Action
Sometimes the fastest way to hook a reader is to start with something exploding. In this episode, our hosts dig into the promise — and the pitfalls — of opening with action, and why survival alone is rarely enough to make us care. We exp
21.10: The Cold Open- Voice
A cold open can hook a reader with nothing more than voice. In this episode, our hosts explore what makes a voice-driven opening work — cadence, rhythm, authority, and a clear reason to care. We break down how aesthetic voice diffe
21.09: Grounding The Reader
Grounding a reader starts in the very first lines of a story. Where are we? Who are we with? What kind of story are we in? Our hosts explore how emotion, context, and sensory detail work together to create immersion, and why action
20.48: Now Go Write- How to Pitch Your Work
In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching
20.47: Now Go Write- All the Eggs in All the Baskets
Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs
21.43: The Not-Final Word on Endings
Today we're focusing on the mechanics of writing endings: what needs to be resolved, what can be left dangling, and how to give your reader a sense of what has changed. We talk about symmetry between beginnings and endings, giving
21.42: Deconstructing the Heroine’s Journey
Psychotherapist Maureen Murdock invented the Heroine's Journey in response to Joseph Campbell's monomyth Hero's Journey. He reportedly said, "Women don’t need to make the journey, they are the place that everyone is trying to get t
21.41: Barrier Breaking- Physical Fatigue
What do you do when "take a break" isn't the answer? We’ve all ahd that feeling, "I’m just too tired to concentrate." This can be because you're worn out from work, or due to chronic fatigue or pain. This week, our hosts talk about
21.40: The DREAM of a Structured Character Arc
What if a character arc had a structure you could actually map? This week, our hosts break down the DREAM arc: denial, resistance, exploration, acceptance, and manifestation. We look at how characters move through these stages—and
21.39: Write What You Feel
Your life is probably weirder—and more useful to your writing—than you think. This week, our hosts explore how to turn lived experience into fiction, from borrowing sensory details and emotional reactions to reshaping real people a
21.38: Rules, Tools, and History’s Fools
Today, we’re celebrating Erin’s birthday by talking about a topic of her choice. Which means we’re flipping “tools, not rules” its head. Our hosts revisit the Turkey City Lexicon, a snarky collection of writing “rules” that circula
21.37: Barrier Breaking: The World Is on Fire
How do you keep writing when the world is on fire? This week, our hosts talk about protecting our narrative energy when the news, social media, or our own lives feel overwhelming. We explore boundaries, boredom, intentional informa
21.36: Twists: How to Make the Unexpected Feel Inevitable
A great twist shouldn’t just surprise us—it should make us rethink everything that came before. This week, our hosts explore reader expectations, misdirection, and hiding clues in plain sight. We look at twists from The
21.35: The Four Acts of Kishōtenketsu
This week, our hosts explore kishōtenketsu, an Asian story structure that appears under different names in China, Korea, Japan, and Vietnam. Unlike the Western three-act structure, it isn’t built around conflict. Instead, it moves throug
21.34: Knowing the Distance
How close is your reader to the story? Should they be closer? Today, our hosts get nerdy about narrative distance: the space between reader, narrator, character, and world. We talk POV, sensory detail, and familiarity—and how each
21.33: When To Shift Gears
A story doesn’t always need the same tools from beginning to end. In this episode, we talk about recognizing when it’s time to shift gears—and how to make those changes feel intentional rather than abrupt. Our hosts look at transit
21.32: Barrier Breaking- Time Constraints
There never seems to be enough time to write—but is time really the problem? Our hosts explore the reality of working within limited hours, changing life circumstances, and competing priorities. We share practical strategies like t
21.31: Deconstructing Save the Cat
Save the Cat! The Last Book on Screenwriting You'll Ever Need by Blake Snyder was published in 2005 and is widely popular because it offers a reliable, repeatable storytelling framework. Today we are joined by guest Margaret Dun
21.30: Chapter Breaks Soon
A lot of times people want to know what the "ideal length" is for a chapter. But chapters can range from one sentence, to a single scene, all the way up to Terry Pratchett who doesn't use chapters at all. Our hosts explore chapters
21.29: How to Make a Scene
What makes a scene feel like a scene? This week, we unpack one of storytelling's most basic building blocks. Our hosts explore where scenes begin and end, how they differ from beats, and why framing and narrative purpose matter
21.28: Narrative Transitions
How do you move readers from one scene to the next without losing momentum? Our hosts dig into different types of transitions—from scene breaks and interruptions to brief “through scenes” that bridge time and space. Along the way, we com
21.27: The Expository Throttle
How can exposition be used as a pacing tool, and not just a way to convey information? We attempt to answer this question on today’s episode! Our hosts discuss how exposition naturally slows a story down, creating space for readers
21.26: Setting the Pace
Our hosts explore the many tools writers can use to control pacing. We discuss how cadence, transitions, tone, sentence structure, and white space can all speed up or slow down a reader’s experience. And remember, fast is not inher
21.25: Follow the Bouncing Ball
In this episode, our hosts explore how writers control their readers’ attention with the metaphor of a bouncing ball. We break down techniques for guiding focus on the page, including POV choice, selective description, rhythm, and
21.24: Deconstructing the Seven Point Plot Structure
Dan Wells joins our conversation as we break down the seven-point plot structure! Using examples from Star Wars, Toy Story, and other films, we discuss how each point creates conflict, dr

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