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Jorie Graham : To 2040
Jorie Graham’s first appearance on the show in 2021, to discuss her collection Runaway, is one of the most relistened to episodes in the show’s history, a conversation that, with each revisitation, seems to reveal something new about how to
Tin House Live : Nana Kwame Adjei-Brenyah on Surrealism
Today’s craft talk, “Why So Surrealism” by Nana Kwame Adjei-Brenyah, was recorded at the 2022 Tin House Summer Workshop. Prompted by a journalist who asked him to talk about how surrealistic and speculative conceits operated in and informed
Roger Reeves : Dark Days
Poet Roger Reeves calls the essays in his debut book of prose “fugitive essays.” And we explore what it means to write fugitively, to write into and from and toward fugitivity. If, as Fred Moten says, fugitivity is “a desire for and a spiri
Isabella Hammad : Enter Ghost
Isabella Hammad’s latest book Enter Ghost is about a Palestinian theater group attempting to put on a production of Hamlet in the West Bank. The actors come from many different Palestinian experiences, one to the next. Some have Israeli cit
Tin House Live : Max Porter on Shy
Even though each of Max Porter’s books is a stand-alone book, some have called Grief Is the Thing with Feathers, Lanny, and his latest, Shy, a “trilogy of boyhood,” a framing Max himself embraces. After a truly electrifying short reading fr
Megan Fernandes : I Do Everything I’m Told
Spareness, economy, and distillation are often put forth as obvious virtues in poetry. But what if there were a politics undergirding this aesthetic preference? In today’s conversation with poet Megan Fernandes we look at questions of poeti
Johanna Hedva : Your Love Is Not Good
What if you gave your fictional main character all of your own biographical details and family history but had them, at every point, choose “wrong”? At every point do the thing you yourself would be against? Johanna Hedva does just that, an
Tin House Live : Katie Holten on The Language of Trees
In Early Medieval Ireland there was a language called Ogham that was sometimes referred to as the “Celtic Tree Alphabet'” because its letters each corresponded to and depicted a different tree. At one point Ireland, now one of the most defo
Tin House Live: Richard Powers on The Overstory
Back in 2019, when Richard Powers was a guest on Between the Covers for The Overstory, we also appeared together that very same night, in conversation again. This time, an onstage ticketed event at Revolution Hall before a live audience. I’
Melanie Rae Thon : As If Fire Could Hide Us
Melanie Rae Thon’s latest book, As If Fire Could Hide Us, is described not as a novel with three chapters, nor as a collection of three stories, but as “a love song in three movements.” What does it mean to see a story as song, to sing from
