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  1. How Can Artists Build A Community? The Five Super Fans Theory

    How do you build genuine community when algorithms reward viral moments over real connection? What if sustainable music careers start with just five super fans rather than chasing millions of followers? Drowned in Sound founder & artist man

  2. How Music Supports Mental Health with Ariana Alexander-Sefre (SPOKE)

    What does it mean to “metabolize” emotion through music? Do wellness tools actually work better when paired with your favourite artist? Why does the music industry treat artists like products and not caregivers? Drowned in Sound founder Sea

  3. Can You Hear Earth Singing? Meet Musicians Using Sound to Protect the Planet

    What does a melting glacier sound like? Can a rainforest sing? And what happens when the last bird of its species hears a recording and tries to reply? In this special live edition of the Drowned in Sound Podcast, recorded at Tallinn Music

  4. Synths, Sound & Music’s Future with Martyn Ware (The Human League / Heaven 17 / BEF / Electronically Yours podcast)

    What did the future sound like when the synthesizer first arrived? What does it feel like now, with AI looming and immersive audio spaces on the rise? In this special episode of the Drowned in Sound Podcast, recorded at Tallinn Music Week (

  5. Offline Joy: The Do-It-Together Spirit Fueling Stealing Sheep’s New Era

    What's it like to be an artist right now? And what does the future of music look like? Will it be AI-generated slop or a joyful return to community and creativity? In this episode of the Drowned in Sound Podcast, Sean Adams speaks to Becky

  6. A Goth Walked Into Nature To Make a Radio Show. A Zine Walked Out.

    A conversation about Fresh Hell, subcultures in nature, and shifting the climate narrative through creativity. In this episode of the podcast that maps what music will be like in 2050 by meeting cultural changemakers and pioneers, Sean Adam

  7. Are Cover Bands Killing Music Scenes? (Q&A Episode)

    Drowned in Sound founder and DiS podcast host, Sean Adams answers your questions. Send Qs for future episodes to sean@drownedinsound.org. Links mentioned in this episode • Article: Cafe Oto at Oscars - The Guardian (https://www.theguardian.

  8. The Report That Shook the Music Industry & Exposed Inequality

    Why does gender bias still dominate radio airplay? And how did one data report force the industry to face its inequalities? In this episode of the Drowned in Sound Podcast, Sean Adams talks to Linda Coogan Byrne, activist and music consulta

  9. How Do We Save Our Music Scenes? Meet Sound Diplomacy’s Shain Shapiro

    What makes a great music city? How do governments, venues, and fans keep local music scenes alive? And why is music still not treated as an essential part of a city’s economy? In this episode of the Drowned in Sound (http://drownedinsound.o

  10. Festivals For Future: Frances Fox on Music’s Role in Climate Justice

    Music has long been a force for change but as extreme weather disrupts events and the industry grapples with its own environmental footprint, can music be a meaningful part of the climate justice movement? In episode 2 of season 3 of the Dr

  11. How We Open Music’s Doors to Everyone (Not Just the Rich)

    From grassroots venues and youth music programs to Mercury Prize winners, early support shapes who gets to make music—and who doesn’t. But is access to music a right or a privilege? Music should be for everyone - but is it becoming a luxury

  12. Will music survive the next 25 years? - Season 3 Prologue

    How will music survive until 2050? Will streaming monopolies and economic pressures lead to music’s decline, or can we build a fairer, more sustainable future? In this season three prologue of the Drowned in Sound Podcast, host Sean Adams (

  13. How does music get discovered? Favourite venues? Brexit? - Q&A Special: Part 2

    In part two of this Q&A experiment, Drowned in Sound founder Sean Adams delves into various topics, including the process of discovering new music, the complexities of the music industry, and nostalgic reflections on MySpace and defunct Lon

  14. Why weren’t [insert band] massive? Music’s true value? Gaffes? - Q&A Special: Part 1

    To mark Drowned in Sound's 24th anniversary and before we begin a new season of the podcast, Drowned in Sound founder Sean Adams answers your questions. Here are some links related to topics covered in the Q&A in case you'd like more contex

  15. What is the function of record reviews in 2024?

    Elijah is a profound thinker and this conversations draws on his influential grime nights with Stormzy & Skepta, writing about music, DJing and to his Yellow Square instagram posts (https://www.instagram.com/eli1ah), which are a form of com

  16. The joys of magazine-making with PROG Editor Jerry Ewing

    How do you become a magazine editor that can put Kate Bush on the cover? And what’s it like running a genre-specific title in 2023? In a world where the digital age is rapidly redefining media, Sean Adams (@seaninsound) meets a titan of the

  17. What’s it like to broadcast from a war zone?

    Award-winning reporter Julia MacFarlane explains what the music press can learn from traditional news journalism. As Drowned in Sound's podcast season looking at the future of music media continues, we wander into the world of international

  18. Should music critics ’pivot to video’?

    Meet the YouTube music critic who runs whilst reviewing records. Probably not all of them, but there are some people evolving music criticism onto new mediums. To understand what it's like to be a "creator" on YouTube, we spoke to Jimmy Wat

  19. Why Music Journalism Matters

    The Quietus' John Doran reflects on the demise of Pitchfork and whether music journalism is now destined to be a hobby or can writing/thinking/talking about music thrive in a reader-funded era? DiS020 | S2: The Future of the Music Press EP1

  20. Is ’Traditional Media’ Still Relevant for New Artists?

    Does the music industry still need the music press? Do new acts still care about media coverage? Explore the shifting landscape of music promotion in the digital era with Atlanta Cobb, the award-winning Music Business Coach and manager of m

  21. If $600 billion a year is being spent, why are so many publications closing?

    In a digital world awash with advertising money, why are music publications and media outlets facing extinction? As we explore the future of the music press, we take a detour into the world of marketing to help make sense of the economics o

  22. Has music become a sub-genre of internet culture?

    NBC News' tech and culture reporter Kat Tenbarge has her finger firmly on the pulse of internet culture and the influencer economy. She honed her expertise at Insider through investigative forays into the complexities of digital fame. Her c

  23. Shouldn’t all music journalism be intersectional?

    From revolutions in Iran to the pleasures of Lana Del Rey journalist Emma Garland has written for Vice, Huck, The Quietus, The Face, Crack, Dazed, Sunday Times, Rolling Stone and many more great publications. Emma's interviewed everyone fro

  24. Lessons from two decades of crafting DIY Magazine

    What's it really like to edit a music website? DIY Magazine co-founder Emma Swann joins DiS founder Sean Adams on season two of the Drowned in Sound podcast about the future of music journalism. We journey from the early days of the website

  25. Why music needs to talk about the climate crisis

    Journalist, podcaster and climate communicator Greg Cochrane shares how interviewing ANOHNI changed his life, what it was like editing NME’s website, the joy of being involved in Loud & Quiet magazine plus a little bit about writing for The

  26. How will the music coverage of the future be funded?

    Kickstarter's co-founder Yancey Strickler shares lessons from Fugazi's label and Beastie Boys' Grand Royal magazine and discusses the forward-thinking ethos of The Royal Society, a prestigious fellowship of the world's most eminent scientis

  27. Is music journalism’s future in campaigning?

    The Big Issue's Culture Editor Laura Kelly on their campaigning work, like Venue Watch to help save grassroots music venues across the UK. As Laura says, "Across the UK, there was more than two venues closing every single week." Through Ven

  28. Introduction to S2: The Editor’s Letter / Voice Note

    Where is music journalism headed? Sean Adams (@seaninsound (http://instagram.com/seaninsound)) introduces season* two of the Drowned in Sound podcast in the style of an editor's letter meets a meandering, unscripted voice memo. TL;DR? To ma

  29. DiS008: Live Music And Mental Health

    Everyone from Radiohead to Sugababes to industry insiders are raving about a new book by therapist and live music expert Tamsin Embleton. It's an extraordinary body of work entitled Touring and Mental Health: The Music Industry Manual, whic

  30. DiS007: AI, AI, AI! UK Government’s War on Copyrighted Music?! Beatles AI song! - Dr Hayleigh Bosher explains it all

    Our series of conversations about Artificial Intelligence and music continues with a look at the ethics and legal implications of these new forms of technology that inhales creativity and spits out creativity using everything that has been

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